By Michael Haneke
With Susanne Lothar, Ulrich Tukur, Burghart Klaußner
"As a man of German culture, I think the 1913/1914 is a very fascinating. But The White Ribbon is not "just" a historical film, the fanaticism to which it relates is not "just" the Nazis between 1933 and 1945 . Obviously, if the story of kids in that period are between 10 and 15 years were shall find men and women under Hitler, but at the same time the meaning of my story refers to all forms of fanaticism even later, even the contemporary, from communist-style in the Islamic ...
If the Fanaticism consists in giving immediate answers, which eliminate the reasoning, then we now live in a historical moment in which the domain of television requires us this kind of thinking and behavior. If the cinema wants to keep an art form has to go against this fanaticism television, against the mechanism of instant answers and treat the public more seriously. This is what many saw The White Ribbon have labeled as a penalty.
[...] The White Ribbon is the title of "premium" means that group membership, the community, the adult world, to the institution. Only in this logic, the individual finds its rightful place. I had thought but also to another title, The right hand of God , because the small players, once they have absorbed as absolute ideals apply to the letter, 100%, punishing the same way as those who do not share them or made them so completely their own. That's why I do not consider The White Ribbon a historical film about Germany that was inevitably to Nazism Hitler: a work is against any use of corrupt corrupt ideas. " (Interview Michael Haneke by Alessandra Matelli, is the number 57 of the magazine duelists )
The White Ribbon let's ride Germany in the beginning of the century.
It 's the film that we recommend this week.
E 'number 574 of the video library of Daedalus.
Marco
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